从印度到克孜尔与敦煌——佛传中降魔的图像细节研究  

From India to Kizil and Dunhuang:A Research of the Detail of Xiangmo Picture in Buddhist Tales

作　　者：张丽香 

机构地区：[1]德国慕尼黑大学

出　　处：《西域研究》2010年第1期58-68,共11页The Western Regions Studies

摘　　要：文中概述了降魔细节的文献记述,分析了从印度南部、西北部犍陀罗到中国新疆克孜尔和甘肃敦煌降魔细节——魔子阻拦其父的发展轨迹,认为克孜尔的这一细节与犍陀罗的模式基本一致,而敦煌的这一细节比克孜尔的更接近于犍陀罗的。对魔子阻拦其父这一降魔细节而言,先有文献记述然后才有图像表现,当这一图像叙述在犍陀罗地区形成典型表现后,又影响了文献细节的叙述,使得这个图像细节变成了文献叙述细节,最终变成了文献叙述传统并固定下来。The article summarizes the literature concerning the detail of Xiangmo(subduing demon), analyses its developing track from Southern India,Northwestern Gandhara to Kizil in Xinjiang and Dunhuang in Gansu,and holds that the detail in Kizil basically accords with Gandhara pattern and the detail in Dunhuang is closer to Gandhara than that of Kizil.As for the detail of this Xiangmo,namely the son of demon obstructing his father,the literature narration appeared first,then the pictorial presentation came into being.After the pictorial presentation of this tale became typical mode in Gandhara,it influenced the literature narration,turning the pictorial detail into literature detail and at last settling it as a tradition of the literature narration.

关 键 词：降魔变 魔罗 克孜尔壁画 敦煌壁画 犍陀罗 

分 类 号：K879[历史地理—考古学及博物馆学]