从主体性意象叠加到客体性意象并置——论威廉斯对美国意象派诗歌的发展  

From Subjective Superposition to Objective Juxtaposition of Images——On William Carlos Williams’s Contribution to American Imagism

作　　者：武新玉[1] 

机构地区：[1]上海师范大学外国语学院

出　　处：《外国文学研究》2010年第1期73-79,共7页Foreign Literature Studies

摘　　要：本文通过对庞德关于意象的最初定义的不完整性、主体性意象叠加手法的局限性到威廉斯客体性意象并置的写作手法的创新性的论析,旨在探讨威廉斯是如何对庞德意象派诗歌进行继承和扬弃,从而推动美国现代主义诗歌逐渐走向后现代主义之途。This paper aims to discuss William Carlos Williams＇ s contribution to American Imagism： his proper inheritance of Pound＇ s Imagism by critiquing Pound＇ s incomplete definition of Imagism and by replacing Pound＇ s limited subjective superposition of images with his own innovative objective juxtaposition of images, thus gradually pushing American modern poetry toward postmodernism.

关 键 词：主体性意象叠加 客体性意象并置 庞德 威廉斯 

分 类 号：I712.072[文学—其他各国文学]