盖格尔的现象学艺术意味论——文学艺术的各种价值意味  

Geiger's Theory of Phenomenological Artistic Meaning:All Value Meanings in Literary Art

作　　者：张玉能[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《汕头大学学报（人文社会科学版）》2010年第1期54-60,共7页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：2005年度教育部人文社会科学重点研究基地重大项目"20世纪德国文学思想史"(05JJD750.11-44207)

摘　　要：盖格尔是德国现象学美学的主要代表之一,他直接把现象学方法运用于美学研究领域,运用现象学观点与方法反思和批判了西方传统美学的二元对立的思维方法和认识论模式、心理模式,确立了现象学艺术意味论。现象学艺术意味论,具体研究了文学艺术的价值关系、文学艺术的各种意味、文学艺术与审美活动的关系,对德国文学思想转向现代具有重要作用。Geiger is one of the major representatives of German phenomenology.He directly employed phenomenological methods in the field of the aesthetical research.By using the viewpoints and methods typical of phenomenology,he reexamined and criticized the dual thought methods and cognitive and psychological modes in the traditional western aesthetics,establishing the theory of phenomenological artistic meaning.This theory studies concretely the value relationship and all kinds of meanings in literary art,and the relationship between literature and aesthetics.It played an important role in the modern turn of the German literature.

关 键 词：盖格尔 现象学 艺术意味论 

分 类 号：D916[政治法律—法学]