人神恋小说的性别文化内涵  

The cultural implication of gender in novels of love between man and deity

作　　者：魏崇新[1] 孙凌钰[1] 

机构地区：[1]北京外国语大学中国语言文学学院,北京100089

出　　处：《东南大学学报（哲学社会科学版）》2010年第1期93-97,共5页Journal of Southeast University(Philosophy and Social Science)

摘　　要："人神恋"是中国古代小说中比较重要的母题,本文从"性别"角度入手,分析人神恋小说中男女两性角色的特点、功能以及男女双方的恋爱互动方式,进而解析出人神恋小说的表层和深层结构,揭示出在小说表层情节遮蔽下的男性中心主义思想。在此基础上进一步发掘小说所反映的性别观念和作家的创作心理。Love between man and deity(fairy maiden) is an important theme in classical Chinese literature.This thesis analyzes from the gender aspect the characteristics and function of the two sexes as well as the interaction between the two sexes in novels.It also analyzes the surface and deep structure of love between man and deity,and reveals male chauvinism hidden under the surface of the stories.On such a basis,it points out the writers' concept of gender and psychology of writing.

关 键 词：人神恋 男权主义 白日梦 

分 类 号：I207.41[文学—中国文学]