新世纪两岸文学关系的互动与冲突  

The Conflict and Interaction between the Literatures across the Strait in New Century

作　　者：古远清[1] 

机构地区：[1]中南财经政法大学台港文学研究所

出　　处：《天津师范大学学报（社会科学版）》2010年第1期39-45,共7页Journal of Tianjin Normal University(Social Science)

基　　金：国家社会科学基金项目(06BZW066)

摘　　要：余光中和陈映真在反对台独方面,没有根本的分歧,但两人的历史积怨太深,故余光中给自己向历史自首打了个问号,陈映真由此觉得对方缺乏"自首"的勇气和诚意。张爱玲著作版权争夺战不完全是经济问题,背后所隐含的是一场两岸关于张爱玲著作权、诠释权的争夺战。李敖贬鲁迅,说穿了是为了抬高自己。他那即兴式、表演式的批评,目的是为了吸引公众的注意力。YU Guang-zhong and CHEN Ying-zhen did not diverge on the view of objection to the independence of Taiwan, but they had many historical divergences. Therefore, YU questioned himself about his confession to history while CHEN thought YU lack of the courage and sincerity to make a confession. The scramble for copyright of ZHANG Ai-ling＇s works is not only related to economic benefit, but also a scramble for the explanation right between the people across the straight. LI Ao depreciated LU Xun to improve the prestige of himself, which is an improvisational and performing criticism in order to attract the people＇s attention.

关 键 词：新世纪 余光中 张爱玲著作权 李敖 鲁迅 

分 类 号：I206.7[文学—中国文学]