《红楼梦》模糊叙事机制探究  

A Study on the Vague Narration Mechanism in A Dream in Red Mansions

作　　者：张平仁[1] 

机构地区：[1]首都师范大学初等教育学院,北京100048

出　　处：《中国文学研究》2010年第1期40-42,52,共4页Research of Chinese Literature

摘　　要：《红楼梦》中存在大量模糊叙事,其基本机制是:某事具有是与否、有与无等相对的两极,先分别或同时展示这两极的对立、差异,然后双方互相牵制、渗透、影响,对立和差异逐渐耗散,使原本清晰或似应清晰的界限趋于模糊。这种模糊制造了新的意义隐含空间,将读者引向更深一层的思考,并形成了含蓄、言近旨远、混整的美学效果。模糊较反讽更适合《红楼梦》的文本实际。A lot of vague narration is used in A Dream in Red Mansions, which mechanism displays as follows ： A certain thing shows opposite two extremes, such as ＂yes＂ and ＂no＂, ＂have＂ and ＂not have＂, etc. , which first shows the antithesis and dissimilarity respectively or simuhaneously, and then the two sides turns out mutual check, infiltration and influence, and the antithesis and dissimilarity gradually disappear, until it makes the original or seemingly clear differences tend to vague. The vague produces new meaning concealing space, leading the readers to deep thoughts, forming implicit, profound and complete aesthetics effects. The vague is more suitable to the text of A Dream in Red Mansions than the irony.

关 键 词：《红楼梦》 模糊叙事 反讽 

分 类 号：I207.411[文学—中国文学]