现代性语境中的主体焦虑——论夏目漱石的《三四郎》  

Anxiety in the Modern Context:On Natsume Soseki's Sanshiro

作　　者：郭勇[1] 

机构地区：[1]宁波大学外语学院

出　　处：《国外文学》2010年第1期131-138,共8页Foreign Literatures

摘　　要：夏目漱石的《三四郎》历来是作为一部爱情小说而进入研究视域的。但是,本文认为,在爱情故事的表层结构之下,隐藏着一个反现代性的深层文本。夏目漱石透过青年三四郎的个人遭遇,反观日本在现代化过程中的挫折,批判了明治政府所主导的现代性的局限性。本文首先拆解了电车的隐喻,指出了三四郎的主体伸展的滞后性。本文还考察了明治时期的女子教育状况,指出了"贤妻良母"式的现代女子教育理想与作为魅惑者的女学生间的吊诡性。最后,在身体与主体性的辩证关系这一框架中分析了三四郎的主体性被消解的过程。Sanshiro has been considered as a romantic story for a long time, and this approach only reflects the superficial structure of this novel, but overlooks its anti-modernist nature. Through young Sanshino＇s experience, Natusme Soseki exposes frustrations and distresses in the modernization process of Japan and reproaches the limitations of the modernization drive under the Meji government. Starting with an interpretation of the trolley bus as a metaphor, the essay points out the developmental delay in Sanshiro＇s subject. And then it investigates women＇s education in the Meji era, indicating the paradox between the traditional role of women as good mothers and wives and female students as seducers. The essay ends with an analysis of the dissolution of the subject based on a dialectical relationship between the body and the subject.

关 键 词：现代性 电车 女子教育 魅惑 身体 

分 类 号：I313.074[文学—其他各国文学] B0[哲学宗教—哲学理论]