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作 者:刘虹利[1]
出 处:《阴山学刊》2010年第1期68-70,111,共4页Yinshan Academic Journal
基 金:西华师范大学科研启动基金项目资助(项目编号06B051)
摘 要:长期以来人们把《黑骏马》解读为"传统文化和现代文明的冲突"导致的爱情悲剧,这种误读忽视了小说叙事的真实逻辑起点,即受文明熏陶从而内化了男权意识的男人,与视男权文明为无物的女性之间的根本性冲突。在《黑骏马》的文本缝隙里,潜藏着叙述者难以启齿的自我垂怜情绪,同时也为读者充分展示了在父亲缺席的状态下,一个"男子汉"在女性身边的成长历程:从依附到对抗,最终通过女性完成人生蜕变、向父的行列皈依。For a long time people have regarded "The Black Horse" as a tragic love story caused by the con- flicts between traditional culture and modem civilization. Such misreading neglects the real logic starting point of the narration ,namely the essential conflict between the men holding a male chauvinism and the women ignoring the male civilization on the other hand. Under the lines of "The Black Horse", there is a self-pity relater who shows his experience of growth : primitively attached himself to women, then went against them and finally ran away to follow his always absent father.
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