寻根之旅中的父亲意象——贾平凹小说《秦腔》论  

Father Image in the Travel of Looking for the Spiritual Root——By Jia Pingao's "Shanxi Opera"

作　　者：韩振英[1] 李登建 

机构地区：[1]滨州技术学院,山东滨州256603 [2]滨州市文联,山东滨州256603

出　　处：《北华大学学报（社会科学版）》2010年第1期68-71,共4页Journal of Beihua University(Social Sciences)

摘　　要：贾平凹的《秦腔》是一部21世纪的寻根之作。面对新世纪中国乡村发展中的现实困境,他再度踏上寻根之旅,成功地建树了故土的父亲意象:生命父亲(夏天义)、文化父亲(夏天智)、上帝父亲(引生),传达了他对乡村荒败现状和乡土传统文化委顿的深度忧虑和思考,彰显了作者的社会批判意识和担负意识。Jia Pingao＇ s ＂Shanxi Opera＂ was one piece of work on looking for the spiritual root of 21st century. Facing the realistic difficult situation on development of Chinese village in new century, he entered into the travel once again,successfully achieved father image of native land：the life father,the cultural father, the God father, which showed his deep anxiety about the weary reality of village present life and the traditional culture, which showed the author＇ s social criticizing consciousness and shouldering consciousness.

关 键 词：贾平凹 生命父亲 文化父亲 上帝父亲 

分 类 号：I206[文学—中国文学]