约翰·凯奇反传统音乐观念简论  

On John Cage's Anti-traditional Music Concept

作　　者：郭晓丹[1] 王勇[1] 

机构地区：[1]烟台职业学院,山东烟台264670

出　　处：《浙江纺织服装职业技术学院学报》2010年第1期90-92,共3页Journal of Zhejiang Fashion Institute of Technology

摘　　要：约翰·凯奇的反传统音乐创作以"偶然音乐"为主要手段,这种无意的音乐给发现者以启发,也给人们带来听觉享受,但由于一味地看重"偶然"和"不确定",也使他完全忽视了作品中应有的音乐因素。约翰.凯奇的反传统音乐创作经历了由不成熟走向成功,再由成功走向极端,最后回归到传统音乐的历程。John Cage＇s anti-traditional music production takes aleatory music as the chief means. This kind of involuntary music brings aural delighy to people as well as enlightenment to the finder. But as he stubbornly stuck to chance and uncertainty, he completely ignored the factors that work in the music. John Cage＇s anti- traditional music developed from immature to success, then from success to extreme, and finally returned to traditional music.

关 键 词：约翰·凯奇 反传统 偶然音乐 不确定性 

分 类 号：J604[艺术—音乐]