曹植和他的《洛神赋》  

Cao Zhi and his The Goddess of Luo(Luoshenfu)

作　　者：李焕有[1] 

机构地区：[1]洛阳理工学院中文系,河南洛阳471023

出　　处：《河北师范大学学报（哲学社会科学版）》2010年第2期99-103,共5页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：国家社科规划基金项目"河洛文化与民族复兴(项目编号06@ZH012)"阶段成果之一

摘　　要：人神相恋作为文学意象源远流长,彰显着生命兴发与礼防压抑的对峙,其内涵包含着对世界、人本身及人的生活的探究、批判和思考。《洛神赋》,既表现了洛神的旷世之美,且相互爱悦;又传达了人神之间因人神道殊而不得不以礼自持,导致了爱而不能终相厮守的遗憾与怅惘,并且透露了曹植想借助人神之恋来宣泄自己内心的苦闷,获得精神慰藉和情感补偿的愿望。曹植身上,儒、道、侠思想兼而有之,体现了文化的多元性、相济性和开放性,造就了他只能"以翰墨为勋绩,辞赋为君子"、"成一家之言"的人生宿命。Love between men and deity is a permanent theme in literature, signifying confrontations between life and restraints, and symbolizing human exploration of the world, human life and himself. In The Goddess of Luo （Luoshenfu）, the poet expresses his complicated feelings of charming beauty of the Goddess, and his distress resulted from the confined love. It shows the vanity of the poet, Cao Zhi, and his inner anguish through the love between deity and man. Caozhi embodies Confucianism, Daoism and errantry as cultural diversity, compatibility and openness.

关 键 词：人神相恋 人神道殊 儒 道 侠思想 曹植 洛神赋 

分 类 号：I207.2[文学—中国文学]