宋代女性词作流传方式与创作主体的关系  

Descending Ways of The Song Women Writers' Works

作　　者：谢穑[1,2] 

机构地区：[1]中南大学文学院,湖南长沙410083 [2]湖南女子职业大学,湖南长沙410004

出　　处：《湖南大学学报（社会科学版）》2010年第2期85-88,共4页Journal of Hunan University(Social Sciences)

基　　金：湖南省教育厅青年项目"宋代女性词人群体研究"(08B038)阶段性研究成果.

摘　　要：在中国文学史上,长久以来,鲜有女性作家的身影,女性大家更是寥若晨星,这一方面是因为封建社会对女性才华的压制,另外与女性作家作品的散佚也有很大关系。宋代女性词人群体性崛起,但其流传下来的词作也很有限。本文就题壁、刊印和声乐传播三种途径探讨了宋代女词人词作的流传方式与其创作主体的关系。There are few women writers during a long time in Chinese literary history. One aspect of the matter is that the feudalism suppresses the talent of the woman writer, and the other is the missing of the women writers＇ works. The group of Song poetess grows up and the left works are limited. The paper is talking on the descending relation of the Song women writers＇ works from the wall--poem, printed works and promotion of the singing and mainly creative body.

关 键 词：宋代 女性词作 流传方式 创作主体 

分 类 号：I206.2[文学—中国文学]