仿旧须宗其典雅,肇新务审其渊源—陶瓷山水画的继承与创新  

ONE SHOULD MODEL THEIR ELEGANCE AND GRACE WHEN IMITATING THE ANCIENT WORKS AND CARRY OUT ONE'S INNOVATION AND CREATION ON THE BASIS OF THE TRADITION AND ORIGIN OF THE ANCIENT WORKS — ON INHERITANCE AND INNOVATION OF CERAMIC LANDSCAPE PAINTING

作　　者：汪兆炳 邵校[3] 

机构地区：[1]景德镇艺术瓷厂美研室,景德镇333000 [2]平山草堂御窑陶瓷书画院,景德镇333000 [3]景德镇陶瓷学院图书馆,景德镇333000

出　　处：《中国陶瓷》2010年第2期63-65,共3页China Ceramics

摘　　要：唐英曾有文字:仿旧须宗其典雅,肇新务审其渊源。这句话很精辟的概括了陶瓷艺术的继承与创新的关键所在。笔者解读这句话,认为"典雅"可以泛指传统陶瓷艺术中精华之所在,"渊源"则是指事物发展的历史及客观规律。顺着唐英这一精辟的理论,把陶瓷山水画的继承与创新再一次梳理一遍。Tang Ying once wrote：one should model their elegance and grace when imitating the ancient works and carry out one＇s innovation and creation on the basis of the tradition and origin of the ancient works.His observation is a penetrating summary of the essence of inheritance and innovation in ceramic art.The author contends that＂elegance and grace＂,in a general sense,refers to the essence of the traditional ceramic art while＂tradition and origin＂the historical and objective law of the development of all things.This paper aims to reorganize the inheriting and innovation of the ceramic landscape painting according to the insightful theory put forward by Tang Ying.

关 键 词：陶瓷山水画 汪派山水 继承 创新 

分 类 号：TQ174.74[化学工程—陶瓷工业]