“底层写作”中的“动物叙事”——新世纪“底层文学”的一个考查维度  

Animal Narration" in "Bottom Writing

作　　者：陈佳冀[1] 

机构地区：[1]上海大学文学院,上海200444

出　　处：《辽宁大学学报（哲学社会科学版）》2010年第2期62-66,共5页Journal of Liaoning University(Philosophy and Social Sciences Edition)

摘　　要：自进入新世纪以来,"动物叙事"这一特殊叙述方式与表达形式成功地介入到"底层文学"当中,无疑给"底层写作"注入了一股新鲜的血液,陈应松的努力与尝试就是一个很好的表征,他的《太平狗》很具有说服力,也提供了一个相对较为完备的写作范式。当然,还有诸多优秀的作家参与到该题材类型的创作当中,并呈现出了底层"动物叙事"所可能达到的向度。作为新世纪"底层文学"的一个重要考查维度,"底层写作"中的"动物叙事"显示出了其特有的题材优势与价值诉求。Since the beginning of the new century, ＂animal Narration＂--a special narrative method and expression has successfully entered ＂bottom literature＂. Unquestionably, this has injected a fresh blood in ＂bottom writing＂. Chen Yingsong＇s efforts and attempt is a good example. His Peaceful Dog is very persuasive and offers a relatively complete writing mode. Certainly, many other successful writers have engaged in writing about this theme and show the height which the bottom ＂animal narration＇could possible reach. As an important factor on testing Jhe new eentury＇s ＂bottom literature＂, ＂Animal narration＂ in ＂bottom writing＂ has presented it＇s special thematic advantage and value requests.

关 键 词：“底层写作” “动物叙事” 《太平狗》 人性 

分 类 号：I206.7[文学—中国文学]