评闻一多的新诗社团活动  

On Wen Yi-duo's New Poem CommunityActitivities

作　　者：陈卫[1] 

机构地区：[1]福建师范大学文学院,福建福州350108

出　　处：《徐州师范大学学报（哲学社会科学版）》2010年第2期22-25,共4页Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)

基　　金：2008年福建省教育厅A类社会科学研究项目"中国现代诗歌转型的审美接受研究"成果之一;编号JA08055S

摘　　要：清华时期,闻一多热衷新诗创作,参与清华文学社编辑活动,领导诗歌组同学展开诗歌讨论,出版诗歌刊物和书籍,对中国现代诗歌的走向进行思考;新月时期,作为一个学习艺术,了解西方艺术,又渴望保存中国文化传统的著名学者闻一多,实现了诗歌观念上中西合璧的设想,提出了新诗的"三美"理论,对中国新诗进行诗艺尝试,成为新月诗派的代言人;西南联大时期,闻一多以一个中年教师的身份引导学生寻找原始生命力,整理民歌,与学生一起制定诗歌纲领,编辑《现代诗钞》,自觉承担中国知识分子的责任,具有历史性意义。During the Tsinghua period, keening on writing new poems, Wen Yiduo actively involved himself in the editing work of the Literature Society of Tsinghua, guided members of the Society to discuss and comment on poems and published magazines and books on poetry. During the Creseent Moon Society period, as a man who had learned art, experienced western art and hoped to eonserve Chinese culture tradition, Wen realized his dream of combining Chinese poetry concepts with Western ones. He put forward ＂three points of beauty＂ about new poems and made attempts to create new material verse in Chinese New Poem, hence becaming the spokesman of the Crescent Moon Society. During the Southwest United University period, he began his teaching career in the wartime, but he led student to seek for original life force, collect fork songs and compile Modem Copied Poems. By voluntarily taking up his responsibility as Chinese intellectuals and writing new poems himself, Wen Yiduo demonstrated his self-defense ability inspired by life consciousness, which has a historical significance.

关 键 词：闻一多 诗的格律 清华文学社 新月社 西南联大 

分 类 号：I207.3[文学—中国文学]