关于汉语诗律的音乐学分析  

Musical Analysis of Chinese Poetic Rhyme

作　　者：沈亚丹[1] 

机构地区：[1]东南大学艺术学院,江苏南京210018

出　　处：《艺术百家》2010年第2期148-152,共5页Hundred Schools In Arts

基　　金：国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一

摘　　要：汉语诗律的建立使得具体的诗歌作品在产生之前,已经被限制在一个潜在的旋律和节奏系统中,与之共在的还有这一声音系统的特定美学特质——"和",它们对诗歌的声音形式进行了规定。其次,汉语诗律的存在使得汉语诗歌的发生方式产生了根本转变,从古诗之"声依咏"一变而为"咏依声"。此外,汉语诗律为中国人提供了一个取景框,将世界安置在一个特定的声律系统中予以把握和体会,世界人化了,也律化了。当一个人的世界在以律诗的形式得以呈现的时候,这一世界必定伴随一种既定的,与一种潜在的起伏抑扬的音乐同在。The construction of Chinese poetic rhyme limits a certain poem to a potential tone and rhythm system before its appearance. Together with this sound system there is a certain aesthetic feature of the system-＂harmony＂,which disciplines the sound form of the poem. Then,the existence of Chinese poetic rhyme radically changes the happening approach of Chinese poems from ＂sound depending on music＂ to ＂music depending on sound＂. Moreover,Chinese poetic rhyme provides Chinese people with a frame; the world is put into a unique sound system to be mastered and understood. The world is humanized and rhymed. When a humanized world is presented in the form of rhymed poems,such a world must exist with a determined and potential music of beauty.

关 键 词：声律 音乐艺术 声调 音乐学 旋律 艺术学 音乐美学 分析 

分 类 号：J612.1[艺术—音乐]