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作 者:樊旭敏[1]
出 处:《嘉兴学院学报》2010年第2期91-94,共4页Journal of Jiaxing University
摘 要:在王安忆众多的作品中,上海女性形象出现的比例十分可观且具有明显的特点:缺乏母爱的童年;孤独的英雄式硬性格;具有骄傲的弱者意识并且以不幸的婚姻生活做结局等。这些上海女性形象非常曲折却坚定地传达着内心的女性意识。这种女性意识偏向于传统,它的形成是作者的童年体验加上当代思考的结果,在文本的传达中却遭遇了当代评论界的误读。Amongst all the works of Wang Anyi, the appearance of shanghai female is extremely noticeable, occupying a high ratio of all her described figures, and they share four salient characteristics : a childhood lacking maternal love; a hard, heroic yet isolated personality, the pride of the consciousness of the weak and a finale with an unhappy marriage. These figures lead a tortuous life but show strong female consciousness and this female ideology the author advocated is inclined to classical female idealism. It is the result of her childhood experience and contemporary consid- eration but misunderstood by modern criticism.
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