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作 者:渠红岩[1]
出 处:《阅江学刊》2010年第2期100-106,共7页Yuejiang Academic Journal
基 金:江苏省社会科学研究基金项目"中国花卉题材文学与花卉审美文化研究"
摘 要:中国文学中的"桃花源"思想源于陶渊明《桃花源记》对理想生活和社会模式的描绘,受其影响,刘晨、阮肇艳遇仙媛的天台山被称为爱情的"桃花源"。在历代文学发展的过程中,文人结合不同的时代条件和自身经历,分别择取"桃花源"的超脱生活和美好爱情主题表达不同的向往和追求。"桃花源"作为一种传统文学题材和意象成为隐居避世和求仙艳遇的文化符号,在后世的诗、词、文、曲中再现着绵绵不绝的生命力。The idea of the Peach Garden in Chinese literature originated from Tao Yuanming's depiction of Utopian life and social model in the Legend of Peach Garden, influenced by which, Tiantai Mountains, where LIU Chen and RUAN Zhao's romantic encounter happened, is called the Peach Garden of love. During the process of development of literature, scholars chose the subjects of unconventional life or beautiful love respectively, both of which are themes of the Peach Garden, to express different aspirations and pursuits, combining different eras and their own experiences. As a traditional literary subject matter and image, the Peach Garden becomes a cultural symbol of reclusive life style and aspiration for immortality and romance, and represents constant vitality in poems, Ci, Wen and Qu in later ages.
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