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作 者:张晶[1]
机构地区:[1]武汉大学文学院
出 处:《安徽大学学报(哲学社会科学版)》2010年第2期50-55,共6页Journal of Anhui University(Philosophy and Social Sciences Edition)
摘 要:在温瑞安、傅承得、何启良等五、六字辈马华诗人的笔下,"中国"这个客观存在的地理空间在马华诗歌的艺术想象中具备了文化地理学的"地方"意义。"江南"与"塞北"意象系统的构建让马华诗歌获得了认知、感觉并想象地理"中国"的物质实体,"古装策略"与"戏剧策略"下古典而浪漫的场所精神又是马华诗歌想象地理"中国"的灵魂。归根结底,马化社会中由记忆与认同所组成的感觉结构决定了马华诗歌对地理"中国"的想象。In the Malaysian-Chinese poetries written by poets born in the 1950s and 1960s such as Wen Ruian, Fu Chengde, He Qiliang and so on, China that is a geographical space objectively gets a meaning of 'space' in cultural geography by poet's artistic imagination. This paper attempts to focus on Malaysian-Chinese poetry about geographic Chinese imagination in the view of cultural geography. Through the construction of image's systems in Malaysian-Chinese poetry, we can feel the special genius loci of China, and then investigate the structure of feeling influencing on the procession which Malaysian- Chinese poetries construct the sense of place of China.
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