李光洙和川端康成作品中的女性形象比较  

Comparison of the Ladies in the Works of LI Guangzhu and Yasunari Kawabata

作　　者：金明淑[1] 

机构地区：[1]中央民族大学朝文系,北京100081

出　　处：《中央民族大学学报（哲学社会科学版）》2010年第2期133-139,共7页Journal of Minzu University of China(Philosophy and Social Sciences Edition)

摘　　要：李光洙和川端康成均为具有穿透女性心理并准确捕捉女性意识及情感之能力的大家,塑造出一系列动人的女性形象。他们的文学在本民族由近代到现代的过渡期做出了重大贡献,在各自的文学史上占据显赫地位。但是这些妩媚的女性形象背后却是两位作家相似的童年遭遇和受伤的初恋及基于此的创作情结。当然,不同的时代课题和作家个性、传统文化基因的干预迫使他们的文学最终演绎出异样的情态。根据弗洛伊德理论可探寻作家的创作心理并解析两位作家晦涩复杂的文学世界。LI Guang-zhu and Yasunari Kawabata are both great masters with the ability of penetrating female＇s psychology and capturing the awareness and emotions of women accurately and they both created a series of moving women images. Their works make significant contribution to the transition from modern to comtemporary period, taking prominent position in their history of literature respectively. However, behind these charming images of women lied the similar injuries in their childhood experiences and their first loves, and their creative complexes were just based on this. Of course, topics in different times, the writers＇ personalities, traditional cultural genes intervented and forced them to interprete different literary modality. The two writers＇ creative psychology and their obscure literary worlds could be explored and analysed based on the theory of Floyd.

关 键 词：李光洙 川端康成 女性形象 创作心理 创作情结 

分 类 号：I106[文学—世界文学]