李全形象及其在《牡丹亭》中的作用  

LI Quan’s Image and its Affect in 《Peony Pavilion》

作　　者：朱莉丽[1] 

机构地区：[1]哈尔滨师范大学人文学院,哈尔滨150025

出　　处：《边疆经济与文化》2010年第4期119-121,共3页The Border Economy and Culture

摘　　要：《牡丹亭》中贼子豪雄李全和他的夫人杨娘娘这两个人代表着作者的一种理想。戏曲中的李全和杨氏娘娘没有做宋朝封的王,到海上去做了海贼。这个结局与戏曲最后作者安排的柳梦梅高中状元,与杜丽娘团圆的结局存在一种对比,体现出作者本人在思想上的矛盾状态,处于出仕还是隐世的挣扎中。作者汤显祖一生仕途坎坷,《牡丹亭》中的李全夫妇的生活态度和生存状态可以看成是作者所追寻探索的一种生存方式。LI Quan and his wife Yang in 《Peony Pavilion》represents author’s idea. Li and his wife in opera did not become the champion of Song Dynasty, but became a sea thief. This result has a comparison with opera’s result, that LIU Meng-mei achieved scholar and reunioned with DU Li-niang. It reflects author’s contradiction in thought, which is in struggling of going into career or out. The author was ups and downs of his official career, LI Quan couple’s attitude to life and living state in 《Peony Pavilion》 can be regarded as a living function which author was looking for.

关 键 词：《牡丹亭》 汤显祖 李全 杨氏娘娘(杨妙真) 

分 类 号：I238[文学—中国文学]