试析前古典长号作品体裁与技术解决  

An analysis of pre-classical tombone opera style and the technical solutions

作　　者：李今鹏[1] 

机构地区：[1]天津音乐学院管弦系,天津300171

出　　处：《长春大学学报》2010年第3期117-120,共4页Journal of Changchun University

摘　　要：奥地利音乐家G.瓦根泽尔、J.阿尔拜勒斯特斯拜勒盖尔、L.莫扎特、M.海顿等所创作的作品是有史以来率先以文学体裁方式创作的长号作品。在演奏这些古典独奏作品时会遇见很多问题,如对作品体裁风格的研究、对声音的要求、对气吸的控制和装饰音的运用。如果使用次中音长号是很难达到要求的,这就要求演奏者学会演奏中音长号。练习这些作品时可以采用小提琴演奏者和双簧管演奏者同样的方法练习;象键盘手演奏的装饰音那样从容、不拘束,尽可能适应代替把位。The works of G.Wagenseil,J.Albrechtsberge,L.Mozart and M.Haydn are considered as the tombone operas which employ literature in musical performance for the first time.While playing these classical soloes,people may come across many problems such as the study on the work style,the requirement of the sound,the management in breath and the utilization of a grace note.It is difficult to meet the standard by playing the tenor trombone,it requires the players to know the alto tombone.The way of playing these works is the same as that of the violin and the oboe.People would feel at ease if they do it like the keyboarders who play the grace notes more freely and without any constraints,and it would be more easier if players can adapt to substitution position.

关 键 词：前古典主义风格 装饰音 代替把位 题材 

分 类 号：J632.19[艺术—音乐]