“留比莫夫卡之子”与当今俄罗斯“新新浪潮”戏剧  

Children of Liubimovka and the New New Wave Theatre in Contemporary Russia

作　　者：王树福[1] 

机构地区：[1]华中师范大学文学院

出　　处：《戏剧（中央戏剧学院学报）》2010年第1期50-64,共15页Drama:The Journal of the Central Academy of Drama

基　　金：教育部人文社会科学项目"20世纪外国文学思想史系列(俄苏卷)"的阶段性成果;项目批准号[05jjd750.11-44208]

摘　　要："留比莫夫卡之子"主要指涉积极参与和组织"留比莫夫卡戏剧节"的剧作家,以及由此形成的创作、表演、评论团体和自由、轻松、前卫、包容的氛围。这些剧作家构成当今俄罗斯"新新浪潮"戏剧的主要创作群体和中坚力量。"留比莫夫卡之子"在时间背景、年龄划分、性别构成等外在表征方面,在艺术手法、艺术风格、平台阵地等内在特质方面,都表现出极强的一致性。这些群体特征和艺术特质,代表和吻合着当今俄罗斯"新新浪潮"戏剧的发展趋势和创作特征,也折射出当今俄罗斯戏剧在本土与外来、传统与先锋、大众与精英、国家体制与市场运作等对立因素中不断实验、探索和开掘的特征。＂Children of Liubimovka＂ usually refers to the dramatists who actively take part in the Liubimovka Festival, and the community of production, act and review, as well as the free and vanguard atmosphere. These dramatists form the main strength and group of the ＂new new wave＂ of contemporary Russian drama. They share a common ground not only in their time, age and gender, but also in their artistic technique, style, agency and position. The colony and artistic characters of Children of Liubimovka inosculate the current development and characters of ＂new new wave＂ in drama, and reflect the experimental and groping characters of modem Russian drama, which lies between autochthonous and foreign, traditional and vanguard, popular and serious, national and commercial elements.

关 键 词：留比莫夫卡戏剧节 留比莫夫卡之子 新新浪潮 当今俄罗斯戏剧 

分 类 号：J809.512[艺术—戏剧戏曲]