《仪礼·燕礼记》所录乐式与燕射两式综考  

The Comprehensive Study on the Type of Ceremonial Music of "Yi Li·Yan Li Ji " and the Two Types of Yan She

作　　者：孙世洋[1] 

机构地区：[1]东北师范大学文学院,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2010年第2期122-128,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学规划基金项目(08JA751001)

摘　　要：《仪礼.燕礼》篇中有关燕礼用乐形式的记述尚没有被正确理解。周代燕礼实际拥有两套不同乐式,二者被分别记述在《燕礼经》与《燕礼记》中,形成两套不同乐式的根源在于燕礼中的燕射环节具有截然不同的两种射礼形式,即乡射式与大射式。《燕礼记》所录乐式原本是一套管、笙并用的完整乐式,并且只宜被用在包括大射式燕射的燕礼之中。这些存在于燕礼中的复杂礼乐配合现象充分显示了周代诗乐、礼乐文化的高度繁荣与精湛。The account of the types of ceremonial music in the ＂Jing＂ and ＂Ji＂ of the ＂YiLi·YanLi＂ has not been properly understood.In the Zhou Dynasty,Yan Li has two different types of ceremonial music recorded separately in the ＂Jing＂ and ＂Ji＂,this is rooted in the two entirely different types of the YanShe in the Yan Li——XiangShe-style and DaShe-style,the type of ceremonial music including Guan and Sheng in the ＂YanLiJi＂ is an integrated whole,its special function and meaning of the music type in the ＂YanLiJi＂ determined that it can only be used in the YiLi including DaShe-style YanShe.These complex phenomenon in the YanLi fully shows the superb and prosperity of the culture in the Poetry-Music and Etiquette-Music of the Zhou Dynasty.

关 键 词：《燕礼记》乐式 三成 大射 乡射 以乐纳宾 下管 

分 类 号：I206.2[文学—中国文学]