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作 者:霍俊明[1]
机构地区:[1]北京教育学院人文学院中文系
出 处:《南开学报(哲学社会科学版)》2010年第2期23-29,共7页Nankai Journal:Philosophy,Literature and Social Science Edition
摘 要:1989年以来中国的女性诗歌无论是在题材、语言、经验、想象力和表现方式上,还是在思想和社会学层面都出现了新的变化。这一变化最为重要的体现就是这一时期的女性诗歌在家族谱系叙事上的差异和新变。部分"70后"和"80后"女诗人在后工业时代的背景下,在城市与乡土、批判与赞颂中展开的家族叙写,凸显了女性诗歌的历史轨迹和新的美学征候。Chinese female poetry have been changed not only on the theme, language, experience, imagination and expression form but also on the level of thought and sociology since 1989, and the most important change of which is the presentation of differences and new trends in narrative on the family lineage. In the background of post- industrial era, the family narratives have been carried out by the generations of 1970s and 1980s female poets who described the families between the city and the country by criticizing or praising attitudes to protrude their historical track and new aesthetic characteristics.
关 键 词:女性诗歌 家族叙写 “70后”和“80后”
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