中国说唱文学之祖——论荀子《成相篇》  

Chinese Talk and Sing Literature Ancestors——On Xunzi’s "Cheng Xiang "

作　　者：刘延福[1] 

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《江西教育学院学报》2010年第1期58-62,共5页Journal of Jiangxi Institute of Education

摘　　要：荀子是先秦儒家最后一位大师,他的《成相》是中国说唱文学之祖。"相"即鼓形的"拊","成相"也就是"击拊",后来演变成曲调的一种。《成相》全文共分四篇,每一章由"三、三、七、四、七"五句组成,第一、二、三、五句押韵,格式统一、节奏鲜明。它的来源与《诗》及睡虎地秦墓竹简中的"成相辞"有关。《成相》对汉乐府民歌、唐变文、宋话本及部分唐宋词与说唱文学等影响深远。Xunzi is a last Confucian master of Pre-Qin.His Cheng Xiang is the ancestor of talk and sing literature.＂Xiang＂ is like ＂Fu＂ which is the drum-shaped.＂Cheng Xiang＂ means rataplanning and then it became a kind of melody.＂Cheng Xiang＂can be divided into four cantos and each of them include five sentences by the forms ＂Three,Three,Seven,Four,Seven＂.The first,the second,the third and the fifth sentences are rhyming.It has the same format and distinctive rhythm.The origins of it are related to the Book of Songs and ＂Cheng Xiang Ci＂ from Bamboo Records in Shuifodi.＂Cheng Xiang＂ influenced ＂Yuefu＂ in the Han Dynasty,the Bianwen of Tang Dynasty,script for fiction of Song Dynasty,Tang-Song Ci and talk and sing literature deeply.

关 键 词：荀子 《成相》 拊 

分 类 号：I206.2[文学—中国文学]