浅论《镜花缘》中的女性崇拜思想  

Ideas of Female Worship in "Flowers in the Mirror"

作　　者：王礼[1,2] 贾晓霞[3] 

机构地区：[1]西北师范大学文史学院,甘肃兰州730070 [2]兰州工业高等专科学校社会科学系,甘肃兰州730050 [3]兰州城市学院文学院,甘肃兰州730070

出　　处：《兰州工业高等专科学校学报》2010年第2期77-79,共3页Journal of Lanzhou Higher Polytechnical College

摘　　要：在封建社会男权意识的主导下,女性长期处于受压迫、受歧视的地位,但是在文学作品中却有不同的体现。李汝珍在《镜花缘》的创作中,试图寻找一条女性参与社会生活的道路,从而改变女性受压迫、受歧视的地位。通过探索李汝珍创作众才女形象的动机和出发点,分析了女性崇拜思想在李汝珍创作过程中所起的重要作用。Under the domination of male awareness in the feudal society, women have been discriminated and oppressed for a long time. But it is different in literary works. In ＂Flowers in the Mirror＂ , Li Ruzhen attempted to find a way for women to participate in social life and tried to change the situation of being discriminated and oppressed. The motivation and starting point of talented women image in Li Ruzhen＇s works is explored to further analyze the idea that female worship plays an important role in the creation of Li Ruzhen＇s works.

关 键 词：《镜花缘》 李汝珍 女性崇拜 

分 类 号：I206[文学—中国文学]