关注生命的焦虑与喜悦——当代中国女性艺术家对母与子题材的表现  

On Attention to Anxiety and Rejoice of Life: Representation of "Mother and Son" Subject by Chinese Contemporary Female Artists

作　　者：刘坚[1] 

机构地区：[1]湖南科技大学艺术学院,湖南湘潭411201

出　　处：《湖南科技大学学报（社会科学版）》2010年第3期113-116,共4页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省教育厅资助课题(07C312)

摘　　要：当女性主义思潮涌入中国美术界时,以女性和家庭的关系为切入点,反思妇女的社会地位和社会角色,成为了20世纪90年代女性艺术家在其作品中探讨女性问题的主题之一,因为女性生活与家庭经验关系密切,女性艺术家通过家庭感受到的社会对女性的态度更直接。当她们面对身处的现实进行思考,又如实地描述自己的感受时,便出现了与原有的女性和家庭不同的叙事视角。When the feminism thought swarmed into the circle of Chinese fine arts, reconsidering the social status and role of women became one of the female subjects which the female artists probed into in their works in the 1990＇ s from the perspective of the relationship between women and families. Families and women＇ s life experience are closely related, so female artists can feel society＇ s attitude towards women by family life more directly. When women think over the reality around them and describe their own feelings as it is, they will take narrative perspectives different from the former women and families.

关 键 词：生命体验 女性艺术家 母与子 

分 类 号：J20[艺术—美术]