生态美学视域下的原生态审美文化探微——以贵州苗侗民族原生态审美文化为例  

The Exploration of Original Eco-aesthetic Culture from the Ecological Aesthetic Perspective——The Original Eco-aesthetic Culture of Guizhou Miao and Dong as an Example

作　　者：杨昌鑫[1] 

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《贵州师范大学学报（社会科学版）》2010年第2期51-55,共5页Journal of Guizhou Normal University(Social Sciences)

基　　金：贵州师范大学学生科研基金重点项目。本课题主持人:杨昌鑫;成员:罗娜;朱蕾;邹立春;康侠

摘　　要：以生态美学的视野来探究贵州苗侗民族原生态审美文化,从中会发现潜藏在民族文化下的诸多生态智慧及审美理念,这可通过苗侗民族的节日、服饰、歌舞及丧葬等形式表现出来。这些形态无不渗透着独特的生态美,正是这些生态美构成了苗侗民族原生态审美文化的基质,而这些生态美又是以和谐为其核心,以苗侗民族原生态审美文化的丰富多样性、动态平衡性及自娱乐生性为其表现形态的。并在此基础上提出,在生态美学进行学理构建时应当对少数民族审美文化有所关注和借鉴。To explore the original eco-aesthetic culture of Guizhou Miao and Dong peoples from the ecological aesthetic perspective may find that the potential diverse ecological wisdom and aesthetic theory spotted,which can be presented through Miao and Dong people＇ s festivals,costumes,songs,dances and funerals,and ecological beauty has taken full part in these patterns.It＇s just these patterns that formulate the basic characteristics of Miao and Dong groups,and harmony is regarded as its core,its diversity,dynamic equilibrium and self-entertainment which are considered to be its external performances.And based on the proposed ecological aesthetics learning theory construction,the aesthetic and cultural concerns of ethnic minorities should be enhanced.

关 键 词：苗侗民族 原生态 生态美学 审美文化 

分 类 号：G05[文化科学]