科尔沁蒙古族金银饰品制作的田野调查  

The Fieldwork of Horchin Mongolian Gold and Silver Jewelry Making

作　　者：徐英[1] 

机构地区：[1]内蒙古大学艺术学院,内蒙古呼和浩特010010

出　　处：《内蒙古大学艺术学院学报》2010年第1期12-19,共8页Journal of Art College of Inner Mongolia University

基　　金：内蒙古自治区教育厅2009年科研课题"蒙古族饰品研究"(项目编号:NJ09184);本文为阶段性成果

摘　　要：分析田野调查的结果认为,蒙古草原上的金银制品,特别是金银饰品的制作、流通、价格等,其供求关系完全是自然调节的。因为科尔沁草原上的人们对于传统手工艺是认可的;作为这种传统手工艺载体的人——银匠师傅其繁衍模式,依然是师徒相授;蒙古族首饰的材料、款型、工艺、色泽、纹样等,基本保留了具有浓郁草原文化气息的审美判断、价值观念。蒙古族饰品制作也有渐变的趋向,但变化的速度并不快。The analysis of the results of fieldwork holds that the gold and silver jewelry production, circulation, price on Mongolian grassland as well as their supply and demand is completely natural regulations. The recognition of the traditional crafts of the people on the Horchin grassland is still the recognition of the silversmiths who hold the tradition of apprenticeships. Mongo- lian jewelry materials, section type, technology, color, pattern, etc. , basically preserve the aesthetic judgments and values of the grasslands with rich cultural atmosphere. Mongolian jewelry making also has the trend of gradual change, but the pace of change is not fast.

关 键 词：科尔沁蒙古族 金银首饰 工艺技法 传承 

分 类 号：J526[艺术—艺术设计]