花主、诗人和哲人——神道设教与贾宝玉的形象设计  

Flowers' Owner,a Poet and Philosopher——Superstition as Educationalmeans and Chia Pao-yu's Image Design

作　　者：吴光正[1] 罗媛[2] 

机构地区：[1]武汉大学中国宗教文学与宗教文献研究中心,湖北武汉430072 [2]武汉大学文学院,湖北武汉430072

出　　处：《江西师范大学学报（哲学社会科学版）》2010年第2期83-88,共6页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目"神道设教:明清章回小说叙事的民族传统"(项目编号:07CZW018)

摘　　要：通过神道设教这一叙事传统,曹雪芹将大观园写成了花柳世界,赋予大观园群钗以花柳的特质,赋予贾宝玉以花主、诗人和哲人的秉性,将贾宝玉那近似"花痴"的意淫行为写成了一种诗意的行动,目的在于呈现一种生命意识,即对青春和美丽的欣赏、体贴和眷恋,《红楼梦》的叙事因此呈现出诗性叙事的特质。根据叙事传统去把握作品可以达到对作品的还原解读,而二十世纪的《红楼梦》研究基本上属于文化建构甚至是意识形态建构,是一种"别有动机"的误读。Through the narrative tradition of the ＂superstition as educationalmeans＂, Cao Xue - qin described the Grand Sight Garden as a world full of flowers and willows, endowed those girls with the quality of flowers and willows, endowed Chia Pao - yu＂ with the nature of flowers bwner, a poet and philosopher and depicted Chia Pao -yu~ mental masturbation as a poetic action, so as to present a kind of the eonsciouseness of life, in other words, to enjoy, care and love the youth and beauty, there- fore, the narrative of A Dream of Red Mansions takes on a poetic feature . We can understand the works according to the narrative tradition, and return to the worksI original condition. However, the study of A Dream of Red Mansions in the twentieth century mostly belongs to the cultural construc- tion, or even the ideological construction, that was a misunderstanding with an axe to grind.

关 键 词：红楼梦 贾宝玉 花主 诗人 哲人 生命意识 

分 类 号：I207.411[文学—中国文学]