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作 者:陈后亮[1,2]
机构地区:[1]山东大学文艺美学研究中心,济南250014 [2]山东经济学院外语系,济南250014
出 处:《四川师范大学学报(社会科学版)》2010年第3期80-84,共5页Journal of Sichuan Normal University(Social Sciences Edition)
摘 要:哈琴的后现代主义诗学具有三个方面的理论特征:以后现代建筑理论为模型,以后现代历史哲学为基本纽带,以后现代文化政治为最终导向。以后现代建筑理论为模型使她的诗学具有清晰的逻辑性,但也使其理论基础的合法性受到质疑。她对后现代主义的历史观和文化政治策略的独特解读,也与詹姆逊等新左派理论家颇有不同,对两者的比较将大大加深我们对西方后现代主义的认识。The poetics of postmodernism raised by Lida Hutcheon features three theoretical characteristics of modeling on the postmodern architectural theory, pivoting on the postmodern historical philosophy and being ultimately oriented to the postmodern cultural politics. The post- modern architectural model helps to make her theory logical and clear, but questions the legitima- cy of her rationale. Her unique interpretation of the postmodern involvement in history and its cultural-political strategy is quite different from that of the New Leftists represented by Frederic Jameson, of which a comparison will deepen our understanding of postmodernism.
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