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作 者:张晓琴[1]
出 处:《西北师大学报(社会科学版)》2010年第3期38-43,共6页Journal of Northwest Normal University(Social Sciences)
基 金:国家社会科学基金项目"当代西部生态文学研究"(09XZW014)阶段性成果;西北师范大学知识与科技创新工程三期项目"当代文学现实主义问题研究"(NWNU-KJCXGC-SK0303-1)
摘 要:近三十年来,中国作家的知识分子的立场曾发生过多次转变。20世纪70年代末,随着社会生活特别是政治生活的激变,他们隐性出场并开始发言。时至80年代,作为知识分子的作家显现出了其精英立场。90年代,他们首先表现出大众化与狂欢立场;其后的人文精神大讨论则重新定位了知识分子的精英立场;90年代末,知识分子出现了精英立场与自由立场的分野。新世纪以来,身为作家的知识分子面临种种困难,大部分作家表现出沉默与失语的状态。The stand of Chinese writers as intelligentsia has changed for several times in the recent 30 years. In the late 1970s, they came on the stage invisibly along with the rapid development, esp. the sudden change of their political life. In the 1980s, Chinese writers showed their elite stand as intelligentsia. They took a popular and carnival stand in the early 1990s. Thereafter, the discussion of humanistic spirit brought them back to the elite stand. However, in the late 1990s, the intelligentsia was divided into the elite stand and the free stand. As writers, the intelligentsia showed silence on the difficulties they have met since the new century.
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