论阎连科小说的城市崇拜  

On the Urban Worship in Yan Lianke's Novels

作　　者：刘保亮[1] 

机构地区：[1]陕西师范大学文学院,西安710062

出　　处：《学术交流》2010年第4期181-183,共3页Academic Exchange

基　　金：河南省哲学社会科学规划项目"河洛文化与新时期河南乡土文学"(2008FWX013);陕西师范大学研究生培养创新基金资助项目"河洛文化与阎连科乡土小说"(2008CXB005)的阶段性成果

摘　　要：城乡反差对峙既呈现我国现代性断裂的生活景观,也形成当代文学的一个书写母题。阎连科小说的城市崇拜具有时代意义。其城市想象以高楼和女人为象征,深蕴城市意识形态和性政治;其向城而生不仅有着物质的欲望,而且还有着文明的召唤,体现了一种"崇高的人性";而乡民进城是两种文化时空的穿梭和僭越,遭遇了城市"权力"视角的凝视、控制和排斥。Contrast and confrontation between cities and countryside present a fractured landscape for living in our modernity,forming a writing theme for modern literature.Urban worship in Yan Lianke＇s novels has the significance with the times.He imagines skyscrapers and women as the symbol of city which implies urban consciousness and sexual politics.The ＂rushing to city for living＂ in his novels represents both the desires for objects and calling for civilization,embodying ＂noble humanity＂.However,the country fellows＇ migration is a shuttle of two kinds of cultural space and time,and encounters the gaze,control and repulsion from urban ＂authorities＂.

关 键 词：阎连科 城市崇拜 城市想象 向城而生 城市批判 

分 类 号：I206.7[文学—中国文学]