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机构地区:[1]贵州师范大学中国南方喀斯特研究院,贵阳550001 [2]贵州省喀斯特资源环境与发展研究中心,贵阳550001
出 处:《资源科学》2010年第5期880-885,共6页Resources Science
基 金:中国南方喀斯特第二批世界自然遗产申报科技支撑项目(贵州省世界遗产申报管理办公室委托);贵州省喀斯特石漠化综合防治工程技术研究中心建设项目(黔科合社J字[2008]4002)
摘 要:旅游审美是旅游者在现实而具体的旅游活动中所进行的一种价值判断活动。与其他的审美活动一样,旅游审美活动也涉及审美心理的四大要素:审美知觉、审美想象、审美理解和审美情感,这四种审美心理要素的深入分析是解构审美活动全过程的关键。对喀斯特洞穴探险而言,其审美活动有其自身的独特性,它不仅能通过刺激游客的视觉和听觉器官来获取美感,而且能最大限度地通过体力和技术的挑战,刺激挑战者的心灵,达到更高层次的愉悦。本文通过对喀斯特洞穴探险旅游审美心理四要素进行分析以及对洞穴探险者的审美体验倾向进行调查,发现在洞穴探险旅游活动中,审美心理的四要素相互作用、彼此融合,产生不同层次的审美体验,洞穴探险者也具有不同的审美体验倾向和需求,对洞穴探险旅游开发具有一定的参考意义。With the development of human society,caves are no longer habitats but one of aesthetic objects.Tourism of cave adventure at abroad is booming,contributing to world communication and economic development.Still,it has not received much attention in China, which would limit the development of karst cave adventure tourism.It is considered that analyzing the components of aesthetic psychology in karst cave adventure can be conducive to karst cave adventure tourism,In the present work,the authors performed a comprehensive and detailed analysis on the components of aesthetic psychology in karst cave adventure activities,with the aims to understand what kinds of components of aesthetic psychology are involved in the karst cave adventure activities and how they work.Results indicated that aesthetic psychology is an activity of value judgment in aesthetic activity.In the karst cave adventure,the aesthetic activity involves the components including aesthetic perception,aesthetic imagination,aesthetic comprehension and aesthetic emotion.It was also found that the uniqueness of karst cave adventure not only fosters the aesthetic sense in the heart of the tourists through maximally stimulating their visual and auditory organs,but also directly impacts the challengers’minds through striving for their ultimate physical strengths and skills to achieve a higher-level pleasure.In the processes of aesthetic activities in karst cave adventure,the four components are interrelated,offering the adventurers the aesthetic experience at different levels.Once the cavers enter a cave,he or she would be first impressed by sounds of water,colors of rocks,the creatures,the feeling of touching and so forth.Therefore,they would enjoy a lower-level aesthetic experience.Once they are not totally satisfied,they could frequently challenge more difficult activities to acquire a higher-level aesthetic experience.To understand the cavers’preferences of esthetic experience in the real life,the authors conducted a survey among sixty cavers by means o
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