《黑暗的中心》的神话解读  

INTERPRETATION OF CONRAD'S HEART OF DARKNESS BASED ON THE THEORY OF ARCHETYPE

作　　者：蒋天平[1] 

机构地区：[1]南华大学外国语学院,湖南衡阳421001

出　　处：《西南石油大学学报（社会科学版）》2010年第3期99-102,共4页Journal of Southwest Petroleum University(Social Sciences Edition)

摘　　要：神话原型理论研究原始先民及文化对后世所产生的影响,每个作者和作品都蕴含着先民流传下来的集体无意识的经验。试图从神话原型理论的角度来分析康拉德的《黑暗的中心》的结构原型、情节原型和人物原型,认为该作品是时代环境和原始先民的集体无意识在作者身上共谋的结果,同时亦流露出作者隐藏在殖民主义批判表象背后的惋惜和依恋等复杂的感情。Theory of archetype gives a research on the influence of ancient people and culture on the subsequent.Every works contains the collective unconsciousness from the ancestors.This text attempts to give a detailed analysis to Heart of Darkness with the help of myth-archetype in the structure,plot,and image.It is concluded that Heart of Darkness is a complicity of both the Conrad's times and the ancestors' collective unconsciousness,and it also reveals the regret and attachment behind the critique against colonialism.

关 键 词：康拉德 《黑暗的中心》 原型理论 神话 集体无意识 

分 类 号：I106.4[文学—世界文学]