凝眸女性命运的隐喻叙事——葛水平《喊山》的叙事特征  

Metaphorical Narration of Female Fate in Ge Shuiping's Hanshan

作　　者：王衡[1] 

机构地区：[1]渭南师范学院中文系,陕西渭南714000

出　　处：《渭南师范学院学报》2009年第4期28-30,共3页Journal of Weinan Normal University

基　　金：陕西省艺术科学规划(2008)年度课题(029)"艺术隐喻的审美价值研究";渭南师范学院科研计划项目(09YKS028)

摘　　要：《喊山》中,琴花与红霞似乎是女性趋于两极的表现。一个极端的蛮横自私、无情寡义;一个善良豁达、懂得感恩,而这种差异则又暗示了其身份、地位与话语权的差异。尽管琴花与红霞的人生际遇有着巨大的不同,但她们的命运却都是悲剧性的,为此作者通过隐喻叙事对女性的自我拯救作了一些有益的探寻。In Hanshan written by Ge Shuiping, the life of two characters, Qin Hua and Hong Xia seem to be taken on the female polarization. One is extreme peremptoriness, selfishness, ruthlessness and unrighteousness; another is goodness, generousness and feeling grateful. Moreover, those differences indicate the difference of identity, status and discourse power. The fate of Qin Hua and Hong Xia has a huge difference, but each has a tragic life. Thus the author has made some helpful discussion to the way of female life through the metaphorical narration.

关 键 词：《喊山》 琴花 红霞 人生悲剧 

分 类 号：I207[文学—中国文学]