革命文学情爱描写的悖论性  

Paradoxes in the Description of Love in Revolutionary Literature

作　　者：张剑[1] 

机构地区：[1]南京大学中国现代文学研究中心,江苏南京210093

出　　处：《学术探索》2010年第2期138-144,共7页Academic Exploration

摘　　要：革命文学情爱描写的悖论性在于:一方面,革命作为一种宏大叙事与集体逻辑,试图渗透并掌控个体的一切私密性空间;另一方面,情爱作为一种源自生命本能的原发性力量,具有冲破压制、颠覆革命的功能,从而又使其在某种程度上形成了对于革命的反讽与消解。造成革命文学情爱描写悖论性的原因,是左翼新兴的"革命"话语与"五四"人性话语共同"在场"与对话。而正是这种对话与张力的存在,使得革命文学有着独特的艺术魅力。The paradoxes in the description of love in revolutionary literature are found in the following aspects. On the one hand, revolution, as a grand narrative and collective logic, permeates in and controls virtually every private space of the individuals. On the other hand, love, a primary force originated from life instincts, possesses the capacity to break through suppression and to topple revolution, which in a way, brings about some irony and counteraction to revolution. The mason for such paradoxes lies in the coexistence and dialogues between the ＂revolutionary＂ discourse of the newly - arisen Left Wing and the humane discourse of ＂May Fourth Movement＂. It is due to the very existence of such dialogues and tension that revolutionary literature enjoys its unique artistic charms.

关 键 词：革命文学 情爱 革命话语 人性话语 

分 类 号：I206.6[文学—中国文学]