重释:敦煌书法在书法创作中的现代意义  

Re-interpretation:the Modern Sense of Dunhuang Calligraphy in Calligraphy Works

作　　者：马国俊 马争朝[2] 

机构地区：[1]甘肃画院,甘肃兰州730000 [2]甘肃联合大学,甘肃兰州730000

出　　处：《甘肃联合大学学报（社会科学版）》2010年第3期93-95,共3页Journal of Gansu Lianhe University:Social Sciences

基　　金：2007年度国家社会科学基金艺术学项目"敦煌书法艺术研究"阶段性成果之一(07EF81)

摘　　要：敦煌书法是书法发展历史链条中的不可或缺的环节,上世纪末到本世际初的书法学科的设置和专业研究的深化,为敦煌书法与汉魏南北朝书法的书写真实性和艺术审美的多样性,创造了极大的联系空间和无比广阔的联想场景,为书法历史发展的真实性研究和审美多样性研究,构建了新型的研究领域和学术评价体系。以敦煌特殊的地域环境下所形成的特殊的文化书写现象和审美特征构成了一个新的研究视觉,这个新视觉所形成的新的研究成果,在书法创作中具有吸收文化精神和借鉴书法语言的现代意义。Dunhuang Calligraphy is the indispensable link of the development history of the calligraphy chain.From the end of the 20th century to the beginning of the 21st century,the setting of calligraphy major and the furthering of the professional study of calligraphy create a great contact space and extremely wide connecting scene with the truthfulness and aesthetic diversity of Dunhuang Calligraphy and Calligraphy of the Han,Wei,Northern and Southern Dynasty,and build a new research field and academic evaluation system for the study of truthfulness and aesthetic diversity of the historical development of calligraphy.The special cultural phenomenon and aesthetic characteristics of the study formed in special geographical environment of Dunhuang constitute a new vision,in which the new research results have modern significance of absorbing cultural spirit and learning the language of calligraphy.

关 键 词：敦煌 汉简 写经 书法家 材质 

分 类 号：J292.1[艺术—美术]