元杂剧中的佛法救世精神  

The spirit of Buddhism salvation reflected in Yuan opera

作　　者：谢柏梁[1] 

机构地区：[1]中国戏曲学院戏文系,北京100073

出　　处：《东南大学学报（哲学社会科学版）》2010年第3期104-109,共6页Journal of Southeast University(Philosophy and Social Science)

基　　金：上海市哲学社会科学基金项目"中国悲剧美学史"成果之一

摘　　要：在中国戏剧的第一个黄金时代,元杂剧结出了丰硕的果实。在元杂剧的诸般主旨诉求和艺术魅力中,其命运轮回、佛法救世的精神及其影响也不可小觑。刘君锡的《庞居士误放来生债》、郑廷玉的《布袋和尚忍字记》和杨景贤的《西游记》杂剧便大致对应了佛法杂剧的逻辑秩序:世人都在与生俱来的无边苦海里起伏挣扎,在红尘世界中无法逃脱冤业果报。依赖于大慈大悲的慈航救渡,便可在很大程度上实现救人救世的宗教理想。The Yuan opera is renowned for its great achievements in the first golden period of Chinese drama.In the Yuan opera,the spirit of Buddhism salvation and its influence cannot be ignored.By analyzing some representative works in this period,we can come to the following logical inference: in mortal life people are born with pains and cannot escape from wrong doing and punishment;it is only by relying on the infinitely merciful Buddha that human beings can expect to realize the ideal of salvation.

关 键 词：元杂剧 佛法 救世 

分 类 号：I207.3[文学—中国文学]