“三言二拍”蕴含的艺术特色  

Artistic Features in Stories from a Ming Collection

作　　者：任明菊[1] 

机构地区：[1]新疆喀什师范学院教务处,新疆喀什844000

出　　处：《沈阳教育学院学报》2010年第3期11-13,共3页Journal of Shenyang College of Education

摘　　要：通过研读明末著名的拟话本小说集"三言"(《喻世明言》《警世通言》《醒世恒言》)和"二拍"(《拍案惊奇》《二刻拍案惊奇》),分析了其蕴含的艺术特色,即夹叙夹议,叙议中包含作者强烈的主观感性色彩;积极采用心理、对话描写;人物言行举止符合其身份和时代特征;以实为主,虚实结合,从而对作品反映的晚明社会有一个更深层次的认识。Through the research reading of famous imitation novel collection in the end of Ming dynasty Stories from a Ming Collection（Yu Shi Ming Yan,Jing Shi Tong Yan,Xing Shi Heng Yan,Pai An Jing Qi and Er Ke Pai An Jing Qi）,the artistic features in them are analyzed as follows： combination of narration and argumentation contained strong subjective emotions of the authors;active usage of psychology and dialogue description;figures’words and behaviors consistent with identities and time characteristics;combination of virtual and real with the former as main part to have a deeper understanding of the society at the end of Ming dynasty.

关 键 词：“三言二拍” 拟话本 艺术特色 

分 类 号：I242.3[文学—中国文学]