西藏传统建筑空间与宗教文化的意象关系  

The Image-Meaning Relationship between Tibetan Traditional Architecture and Religious Culture

作　　者：黄凌江[1] 刘超群[2] 

机构地区：[1]武汉大学城市设计学院建筑系 [2]中山大学地理科学与规划学院

出　　处：《华中建筑》2010年第5期134-137,共4页Huazhong Architecture

基　　金：武汉大学"中国轮廓--国家边境建筑与城镇"科学考察计划资助

摘　　要：西藏传统建筑与聚落是西藏宗教文化的典型代表,也是物质空间与宗教文化结合的范例。通过对西藏传统建筑与聚落的实证与西藏宗教文化的分析,运用"意"与"象"的概念,详述了西藏传统建筑空间形态的中心性,转及内部空间的宗教象征意义与内涵,并探讨了风格与非宗教含义在建筑上的融合。指出西藏传统建筑与聚落空间形态与西藏宗教文化具有同构性质,并归纳了宗教含义在建筑空间中的体现方式,揭示了西藏传统建筑所蕴含的深层次的宗教文化底蕴,以期对地域建筑创作起到参考作用。Tibetan traditional architecture typically represents Tibetan religious culture,also acts as combination of space and culture. Based on demonstration of Tibetan traditional architecture and analysis of Tibetan religion,the work discusses the religious symbolization,as well as the image and meaning of the building and space,fatherly points out the isomorphic relationship between Tibetan traditional architecture and religious culture,and the detailed modes are also discussed. The work explores the religious context of Tibetan traditional architecture to benefit a better understanding and architectural design of Tibetan regionally architecture.

关 键 词：西藏 传统建筑空间 宗教文化 意象关系 

分 类 号：TU252[建筑科学—建筑设计及理论]