元曲作家的城市经历与元散曲的“反城市”文化倾向  

The City Experience of Yuan Qu Authors and the Anti-urbanization Development of Sanqu in Yuan Dynasty

作　　者：周晓琳[1] 

机构地区：[1]西华师范大学文学院,四川南充637009

出　　处：《西华师范大学学报（哲学社会科学版）》2010年第3期1-5,共5页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：国家社科基金西部项目(07XZW007)

摘　　要：城市既是元代散曲作家的生存空间,也是他们重要的审美观照对象。较之唐宋文学,元曲最突出的特征在于它的"反城市"文化倾向。元散曲作家采用远距离聚焦的态势观照城市,以乡村为本位,总结历史教训,对城市文化的弊端进行强烈而尖锐的批判。他们对城市的观照态度,暴露了古代作家群体在城市表现方面共同具有的"先天性"缺陷,同时也折射出被边缘化的城市生存困境。The city was not only the existent space of Yuan Qu authors,but also their important object of aesthetics.Compared with literature of Tang and Song dynasties,the anti-urbanization development was particular character of Yuan Qu.The Yuan Qu authors contemplated cities by focusing on them from a long distance.They focused on villages and summarized historical lessons.They criticized the disadvantages of city culture strongly and sharply.Their contemplation attitude of cities exposed the common congenital defect in ancient authors.And it also reflected the existent plight of the marginalized city.

关 键 词：元散曲 城市经历 反城市倾向 乡村本位 生存困境 

分 类 号：I207.24[文学—中国文学]