失语与反抗——评析依婉·伯兰的《她的自视形象》  

Aphasia and Rebellion——On Eavan Boland’s In Her Own Image

作　　者：侯林梅[1] 

机构地区：[1]河南师范大学外语学院

出　　处：《世界文学评论（长江文艺出版社）》2010年第1期55-57,共3页The World Literature Criticism

基　　金：河南省哲学社会科学规划项目"多元文化背景下的当代英国诗人群体研究"【项目编号:07FWX-010】阶段性成果

摘　　要：爱尔兰当代著名女诗人依婉.伯兰在她20世纪80年代出版的诗集《她的自视形象》中,通过"女性写作"(female writing)来书写女性自己的世界,为爱尔兰女性争取"女性话语"(female discourse)。千百年来爱尔兰女人以及她的身体只是被男性作家书写的对象,女人始终处于被动失语的状态:被审视,被书写。伯兰的"女性写作"打破了女性失语的传统状态,反抗了男性话语的霸权,为广大的爱尔兰女性赢得了真正的言说和存在权利。Eavan Boland, one of the most famous Ireland poetesses, in In Her Own Image （published in 1980＇s）, by carrying out female writing depicts the female world and tries to gain female discourse for Ireland women. For centuries woman and her body are the objects of male writing. Women, are the object of being watched and depicted. Boland＇s female writing breaks female＇s aphasic state,rebels the patriarchal hegemony and gains real rights for speech and existence for the vast Ireland women.

关 键 词：爱尔兰女诗人 依婉·伯兰 《她的自视形象》 失语 反抗 

分 类 号：I206.7[文学—中国文学]