胶州秧歌活态传承机制研究  

A Study of the Active Mechanism of Inheriting the Jiaozhou Yangko

作　　者：潘文竹[1] 李萌[2] 

机构地区：[1]青岛大学学报部,山东青岛266071 [2]青岛职业技术学院旅游与国际学院,山东青岛266000

出　　处：《东方论坛（青岛大学学报）》2010年第2期11-17,共7页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：青岛市双百调研工程"建立青岛市优秀民间文化遗产活态传承机制的对策研究"的阶段性成果(编号:2009-B-26)

摘　　要：通过对以胶州市三个有代表性的秧歌发源地的调查,可发现胶州秧歌基本处于活态传承状态中,但其活态传承过程中也还存在社团建设不足、传承队伍断链、缺乏必要的基层文化工作者等问题。建立政府主导、社会参与、企业介入的秧歌社团经营管理模式,完善胶州秧歌传统的"安锅"传承方式,营造适宜胶州秧歌活态传承的社会人文环境,加强基层文化工作者队伍的建设,是解决所存在的问题、完善胶州秧歌活态传承机制应采取的措施。An investigation of the three origins of the Jiaozhou Yangko shows that this folk art is being inherited and passed on in a basically active way. But problems exist such as inadequate construction of the Yangko groups, the discontinued chain of inheriting teams and the lack of necessary basic-level cultural workers. Therefore, this thesis proposes some effective measures for improving this inheriting system： a Yangko group managerial mode characterized by government dominance, social participation and enterprise involvement, a social and humanistic environment suitable for actively inheriting this art, and a stronger team of basic-level cultural workers.

关 键 词：胶州秧歌 活态传承 传承队伍 传承氛围 基层文化工作者 

分 类 号：G122[文化科学]