《蝴蝶夫人》的创作历程及主要唱段分析  

A Historical Review of Madame Butterfly and an Analysis of Its Major Aria

作　　者：马蕾[1] 

机构地区：[1]中国音乐学院声歌系,北京100101

出　　处：《南阳师范学院学报》2010年第5期91-95,共5页Journal of Nanyang Normal University

摘　　要：普契尼(Giacomo·Puccini),是19世纪末至20世纪初真实主义歌剧流派的重要代表人物,是继威尔第之后意大利歌剧史上最伟大的作曲家之一。《蝴蝶夫人》这部歌剧是普契尼的代表作,也是真实主义发展的巅峰作品。本文以普契尼的代表作《蝴蝶夫人》为研究对象,由《蝴蝶夫人》的创作历程入手,从一个演唱者的角度出发,对剧中的著名唱段进行重点分析,在演唱风格、演唱技巧方面进行进一步的探讨,从音色、音乐、情感变化、如何深入地诠释角色等方面进行艺术处理,让歌剧爱好者更好地了解《蝴蝶夫人》,了解普契尼。Giacomo Puccini,an Italian composer who was an important exponent of operatic realism in the late 19th century and early 20th century,was regarded as one of the greatest composers in the history of Italian opera after Giuseppe Verdi.Madame Butterfly was Puccini＇s representative work,which also signified a zenith of the development of operatic realism.Taking Madame Butterfly of Puccini as the research target,the paper deals with a historical review of the creation of Madame Butterfly,and then emphatically analyzes the most notable arias in this opera from the perspective of a vocalist.The paper further discusses the singing style and singing techniques of the opera from aspects of tone color,music register,emotional changes,character portrayal,etc.,with a view to providing opera lovers a better understanding of the opera Madame Butterfly and its composer Puccini.

关 键 词：创作历程 巧巧桑唱段 平克尔顿唱段 

分 类 号：J605[艺术—音乐]