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作 者:刘郁琪[1]
出 处:《西安电子科技大学学报(社会科学版)》2010年第3期110-114,共5页Journal of Xidian University:Social Science Edition
基 金:湖南省教育厅重点课题:"现代性"与百年中国文学潮流研究(08A020)
摘 要:在叙事学的话语谱系中,经典叙事学最先是作为历史概念提出的,但在具体的实际运用中却被赋予了超历史的逻辑内涵。作为逻辑概念,它泛指一切以结构主义思维方式为特点,以建立一切叙事文学的普遍性形式批评框架为目的,包括过去现在和未来的所有理论尝试。这一意义上的经典叙事学,不仅在事实上没有"死去",而且在逻辑上也不可能"死去"。根据其固有的理论目标和思维方式,在确定其基本理论边界的前提下,采用逻辑推演的方式准确勘定它可能的理论疆域和逻辑体系,并对比现有的理论探讨从而指出其尚可进一步发掘的剩余理论空间,不仅可以增强这一理论发展的自觉性,而且可以在整体上促进叙事学的进一步繁荣。The classic narratology was first proposed as a historical concept,but in specific practical application it has been given a logical connotation.As a logical concept,it refers to all of the theoretical attempts which are characterized by structuralism and are for purpose of establishing a universal form framework of all of narrative literature in the past,at present and in the future.The classic narratology in this sense has not only been dead,but also will never die.According to their intrinsic theoretical goals and thinking ways,we can locate its theory boundaries and logic systems and compare with existing theories.Then we will find the theoretical space which can be further explored.This work not only can enhance the consciousness of developing classical narratology,but also can facilitate the further prosperity of narratology.
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