论萧梁宫廷音乐文化建设与乐府诗发展  

Discussion on the Relations between the Music in the Liang Palace and the Development of Yuefu

作　　者：王志清[1] 

机构地区：[1]吉首大学文学与新闻传播学院,湖南吉首416000

出　　处：《西南大学学报（社会科学版）》2010年第4期161-165,共5页Journal of Southwest University(Social Sciences Edition)

基　　金：国家社科基金资助项目"齐梁乐府诗音乐与文学关系研究"(09CZW023);项目负责人:王志清;湖南省教育厅项目"齐梁乐府诗研究"(09C801);项目负责人:王志清

摘　　要：以梁武帝为核心的萧梁宫廷音乐建设雅、俗乐并重,富于新变特征,直接促成了萧梁时代乐府诗的总体繁荣,推动了汉魏旧曲的创作热潮以及吴声西曲的宫廷化历程,产生了新的俗乐歌词体式、风格和新的俗乐创作方式,由此反映出宫廷雅俗乐建设、宫廷音乐审美旨趣与乐府诗发展的密切关系。The music creation activity in the palace of Liang Dynasty led by the emperor Liang Wudi was prosperous with new changes, which directly contributed to the creation and development of Yuefu poems, promoted the revival of the Han Wei old songs and Wu Sheng XiQu. It created a new folk music style and the new folk music approach to production, and thus reflected the close relationship between the court music construction, court music aesthetics and the development of Yuefu poems.

关 键 词：宫廷音乐 乐府诗 新变 体式 风格 

分 类 号：I207.22[文学—中国文学]