吴昌硕、齐白石花鸟画构图对篆刻章法的运用  

The Application of Composition of Flower& Bird Paintings by Wu Changshuo and Qi Baishi in Seal Cutting

作　　者：彭作飚[1] 

机构地区：[1]广西艺术学院桂林中国画学院,广西南宁530022

出　　处：《艺术探索》2010年第3期21-22,共2页Arts Exploration

摘　　要：吴昌硕、齐白石都是诗、书、画、印四绝的艺术大师。本文以吴昌硕和齐白石的花鸟画构图为研究对象,以吴、齐两家花鸟画构图对篆刻章法元素的运用为切入点,并结合实际作品进行论述,力求对吴昌硕和齐白石的花鸟画艺术进行更为深入的分析与探究。Both Wu Changshuo and Qi Baishi are art masters of poem,calligraphy,painting and sealcutting. The thesis,with the flower&bird painting as the objects of study,from the perspective of the application of the composition of Wu and Qi's flower&bird painting in sealcutting,combined with their works,trying to conduct a more profound analysis and research in Wu and Qi's flower and bird paintings.

关 键 词：吴昌硕 齐白石 花鸟画 构图 篆刻 

分 类 号：J292.4[艺术—美术] J211.2