戏曲现代戏:发生、资源与合法性  

Modern Chinese opera:Generation,resources and legality

作　　者：郭玉琼[1] 

机构地区：[1]厦门理工学院文化传播系,福建厦门361024

出　　处：《艺术探索》2010年第3期29-31,43,共4页Arts Exploration

基　　金：福建省社科基金项目"世界左翼戏剧研究"(2008B075)

摘　　要：戏曲现代戏与20世纪初兴起的时装戏不同,它真正发生在20世纪30年代的解放区,生成之初即被寄予特殊的政治文化内涵。解放区政权对戏曲现代戏形式的意识形态的充分体认,使传统戏曲成为建立解放区戏剧新生态的重要资源。知识分子在新政权、新时代的"现代性"话语中接受了戏曲现代戏的创作逻辑和思维,戏曲现代戏在中国戏曲发展史上的合法性终于获得确立。Modern Chinese opera is different from the new or contemporary opera which flourished in early 20th century. It was imbued with special political and cultural connotations since its generation in 1930s. The full recognition of the 'ideological form' of modern drama i4n the liberated area makes the traditional drama and opera the important resources of creating new drama in liberated area. The intellectuals accepted the creation logic and thinking of the modern drama in the modern discourse of new regime and new era. And the legimacy of modern drama in the history of Chinese drama and opera is thus established.

关 键 词：戏曲现代戏 发生 资源 合法性 

分 类 号：J805[艺术—戏剧戏曲]